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Wagner and the Art of the Theatre

Wagner and the Art of the Theatre

By Patrick Carnegy

Winner of the George Freedley Memorial Award Special Jury Prize awarded by the Theatre Library Association
Winner of the Creative Communication Award awarded by the Royal Philharmonic Society
Selected as an Outstanding Academic Title for 2007 by Choice Magazine

“[A] massive undertaking… This book is truly epic in its scope, and it will certainly become one of the standard reference works in English, not only in Wagner but on twentieth-century stagecraft.”—Patrick O’Connor, Literary Review

"...long meditated as well as meticulously researched...its overview is magisterial, and, despite its considerable length, the crisply organised structure and unfailing lucidity of the prose make it worth the effort of a thorough and continuous reading."—Rupert Christiansen, The Spectator

"Carnegy has managed to out-Wagner Wagner - spending 40 years writing about a century of Wagnerian productions... Carnegy was rewarded when his book won the Royal Philharmonic Society prize for 'creative communication.'"—Stephen Moss, The Guardian

The production of Wagner's operas is fiercely debated. In this ground-breaking stage history Patrick Carnegy vividly evokes the - often scandalous - great productions which have left their mark not only on our understanding of Wagner but on modern theatre as a whole. He examines the way in which Wagner himself staged his works, showing that the composer remained dissatisfied with even the best of his productions. After Wagner's death the scenic challenge was taken up by the Swiss visionary Adolphe Appia, by Gustav Mahler and Alfred Roller in Vienna, and by Otto Klemperer and Ewald Dulberg in Berlin. In Russia the Bolsheviks reinvented Wagner as a social-revolutionary, while cinema left its indelible imprint on the Wagnerian stage with Eisenstein's Die Walkure in Moscow in 1940. Hitler famously appropriated Wagner for his own ends. Patrick Carnegy unscrambles the interaction of politics and stage production, showing how post-war German directors sought a way to bury the uncomfortable past. He contrasts the bare-stage scenic strategy of Wieland and Wolfgang Wagner at Bayreuth with that of the East German Joachim Herz who presented the Ring as an allegory of 19th-century capitalism. The book concludes with a brilliantly perceptive critique of the iconoclastic interpretations by Patrice Chereau, Ruth Berghaus and Hans-Jurgen Syberberg.

Please note that Rare/Out-of-Print titles are very limited in stock.

352 Pages
100 B&W illustrations
Yale University Press, 2006
ISBN 9780300106954
Music, Theater, Opera, Essays

$55.00 $55.00