Design Shop

Mother's Little Helpers

Mother's Little Helpers

Mother's Little Helpers

Neue Galerie Exclusive

A CURATED COLLECTION FROM NEUE GALERIE NEW YORK

NEUE RED LIPSTICK
AERIN FOR NEUE GALERIE
A seductive lipstick inspired by Vienna 1900 fashion, as captured by premier fashion photographer Madame d’Ora. NEUE RED is an Aerin Rose Balm Lipstick infused with Vitamins C and E, Meadowfoam Seed Oil and Magnolia Extract to keep lips hydrated and sensual.

FLOWER EARRINGS
Judy Geib for Neue NOW
Hand-wrought sterling silver
18 karat gold hook

IMPERIAL MIRROR COMPACT
Produced by Inden
Red lacquered deerskin leather
Double mirror interior

COMPACT
Josef Hoffmann and Bertold Löffler
Designed 1910
Silver-plated brass
Includes translucent Perfecting Pressed Powder by Estée Lauder (refillable)
Presented in a custom gift box featuring a detail of Gustav Klimt's 1907 Adele Bloch-Bauer I.

OVAL PENDANT BROOCH
Josef Hoffmann
Designed 1910
Gold-plated sterling silver with Prussian blue vitreous enamel
May be worn as either brooch or pendant

VIENNA 1900 PILLBOX
Silver-plate, produced by Wiener Silber Manufactur

ADELE'S KISS
With his seductive portraits of society women, Gustav Klimt defined the allure of fin-de-siècle Vienna. His sensuous portrait Adele Bloch-Bauer I (1907) is a dazzling creation, aglow with an air of mystery and magic. In celebration of Klimt’s masterpiece, the Neue Galerie Design Shop presents Liebling, an AERIN Rose Balm Lipstick evocative of the warm blush tones in Adele's lips. Liebling features a luxe texture, medium coverage, and a shine finish. The lipstick is packaged in golden rectangular case and presented in a custom black box featuring the portrait Adele Bloch-Bauer I.

WIENER WERKSTÄTTE FLOWER NOTECARD SET
The Wiener Werkstätte Flower Card Set: featuring eight illustrations by Otto Beran, Gustav Kalhammer, Leopoldine Kolbe, Bertold Löffler from 1907.
The Wiener Werkstätte, or Vienna Workshops, designed and produced a series of nearly one thousand postcards from 1907 until the beginning of the First World War. The visionary artists and designers behind the movement valued the postcard as an ideal format for their own social and aesthetic program: to imbue objects of daily use with beauty and the elements of good design. 


EVERY PURCHASE SUPPORTS THE NEUE GALERIE
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