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Miniature Metropolis; Literature in an Age of Photography and Film

Miniature Metropolis; Literature in an Age of Photography and Film

Miniature Metropolis; Literature in an Age of Photography and Film

By Andreas Huyssen

“This book will serve as an invaluable guide to the wide variety of miniature writings that emerged in the modern age. Huyssen’s close readings of these literary gems highlight the ways in which they responded to new modes of sensory experience. A brilliant study of literature in the era of visual media.”—Anthony Kaes, University of California, Berkeley

Miniature Metropolis provides a methodology for others who wish to consider the seemingly incidental writings of Modernists that have so often been eclipsed by less modest parts of their oeuvres. With original arguments and meticulous analyses, this fine study deepens our knowledge of familiar authors, and through the light it casts on its subject, it also brings into focus the current challenges to the literary mode posed by digital media and new related social practices.”—Elaine Morley, The Times Literary Supplement

“This is a unique, deeply thought, and important work that brings new insights into the literary forms of modernism, and their relations to other media.”—Anthony Vidler, The Irwin S. Chanin School of Architecture at The Cooper Union

In the late nineteenth and early twentieth centuries, Europe’s modernizing metropolises offered a sensory experience unlike anything that had come before. Cities became laboratories bubbling with aesthetic experimentation in old and new media, and from this milieu emerged metropolitan miniatures—short prose pieces about the experiences of urban life written for European newspapers. Miniature Metropolis explores the history and theory of this significant but misrecognized achievement of literary modernism.

Andreas Huyssen shows how writers from Baudelaire and Kafka to Benjamin, Musil, and Adorno created the miniature to record their reflections of Paris, Brussels, Prague, Vienna, Berlin, and Los Angeles. Contesting photography and film as competing media, the metropolitan miniature sought to capture the visceral feeling of acceleration and compression that defined urban existence. But the form did not merely imitate visual media—it absorbed them, condensing objective and subjective perceptions into the very structure of language and text and asserting the aesthetic specificity of literary language without resort to visual illustration. Huyssen argues that the miniature subverted the expectations of transparency, easy understanding, and entertainment that mass circulation newspapers depended upon. His fine-grained readings open broad vistas into German critical theory and the history of visual arts, revealing the metropolitan miniature to be one of the few genuinely innovative modes of spatialized writing created by modernism.

368 pages
Harvard University Press, 2015
6.2 x 1.5 x 9.8 inches
ISBN 9780674416727
Photography, History, Urban Studies 

$45.00 $45.00